1 7

Masanori Makino

Yakishime Yunomi

Yakishime Yunomi

湯呑・焼き締め

$85.00 AUD
$85.00 AUD
Save Sold out
Tax included. Shipping calculated at checkout.

Only a few items left

This stunning yunomi teacup features clay Makino-san dug himself in Toyokita-cho, Shimonoseki City. The beautiful pattern was created by a technique called hidasuki, which is the mark left by wrapping rice straw around the vessel before firing it. The rice straw reacts with the ash in the kiln, leaving the deep brown lines. 

While the majority of Makino-san's beautiful work is traditional Hagi yaki, he occasionally delves into other Japanese ceramic styles. This is a wonderful example of his work outside of Hagi yaki. 

This piece is a completely unique piece by Masanori Makino. 

Capacity: 160ml
Diameter: 70ml
Height: 85mm

Origin

Handcrafted in Hagi

Masanori Makino

On our most recent trip, Makino-san and his wife welcomed us into their studio in the quiet outskirts of Hagi City. Positioned at the entrance of his gallery store, Makino-san proudly displays his certificate as a Certified Master of Traditional Crafts (Dentōkugei-shi). A true custodian of the traditional art form of Hagi Yaki, Makino-san is recognised as one of the hardest work Hagi Yaki artisans in the city. Only firing once per year, he spends the rest of the year preparing the materials and vessels for the next firing. He carries out every step of the process by hand, including digging his own clay, cutting down the trees and collecting the rice straw for his ash glazes, and crafting every unique piece by hand on his kick wheel. In 2018, Makino-san built the newest climbing kiln in Hagi, maybe the last step kiln to be built in the region.

View full details
Masanori Makino standing in front of his climbing kiln in Hagi

No two pieces by Makino-san are alike, every vessel is a rare taste of a centuries old art form.

Makino-san works tirelessly to perform every step of the crafting process by hand, using traditional Hagi yaki techniques and principles. He focuses on crafting each piece with intention. Each year, his kiln is loaded with the year's worth of vessels and woodfired to finish his beautiful creations.

We feel privileged to hold a few of his limited pieces in our collection.